newly vacant lot
the wattlebird as confused
as I
©️sbwright2023

Japanese Form Poetry by SB Wright
newly vacant lot
the wattlebird as confused
as I
©️sbwright2023

a moth flitters
at the toilet window
moon viewing
©️sbwright2023

rain patter
we light the first fire
of winter
©️sbwright2023

Tōdai-ji Temple
we bow at the national treasure
and it bows back
©️sbwright2023

We tour the region north of Goyder’s line and it hits me that here is a foreshadowing of the climate crisis to come; townships that used to house 600 were reduced to a couple of aged and cracking official buildings, monuments to human hubris. For sure, technology ensured that the regions were populated again but I’m not sure if we learned anything.
cracked ashphalt
a pepper tree sprouts
in centre court
©️sbwright2023

beside the creek bed
the meandering course
of mated ringnecks
©️sbwright2023

among the tussock
the calls of the spotted grass frog
hidden
©️sbwright2023

fleeting autumn
between each laboured breath
the maple sheds a leaf
©️Sbwright2023

She’s hidden her egg sack in the needles of a pine branch, a pale yellow susuwatari. A few golden strands of her web have snapped and congealed into a larger, tangled one. The larder appears full, two strings of “black pearls”.
the orb weaver
sitting motionless for days
nothing gold can stay
©️sbwright2023

Right now, my wife is teaching herself to play Keane’s, Somewhere Only We Know, on the concert grand. She’s probably frustrated she’s not getting it perfect, but something in that imperfection, in reaching for the right notes, generates an overwhelming sense of yūgen.
love’s labour
between the notes a single tear
rolls down my cheek
©️sbwright2023
